artist statement - Catherine Dunn
I don’t know why I paint. Neither does anyone else. But best of all, no one really cares anyway. This gives a person a lot of leeway.
I’m legally blind without my glasses. For several years of life, everything I saw was a blur. It might have been that I was in constant motion but I still couldn’t see well enough to avoid hitting trees. A seminal moment came when I got my first pair of glasses. Suddenly the trees had leaves. I stopped running into them. Weird. Now when I am in my studio, I try to recapture childhood by taking off my glasses and running back and forth in front of the paintings, sometimes with a very big brush. My mother tells me I ought to slow down, running 70 or 80 miles a night right up there between the studio walls is bound to have effects. To really see these paintings the right way you have to get up out of your chair and run back and forth too. You may get cramps and hyperventilate but it only makes the work better.
I live and work in Southern Maryland. It’s an out of the way place, the last stop on the end of a peninsula, right before diving into the sea. Your visitors have to really want to find you. My studio has two doors. Sometimes I can’t remember which one is the locked one. This keeps me in there longer than usual. I think it’s been good for my work.
EDUCATION
1998 Indiana University, MFA painting
1993-94 School of the Art Institute of Chicago
1992 Hampshire College, BA in painting and writing
EXHIBITIONS
2008 Allen Sheppard Gallery, Group Exhibition, NY, NY
2008 Nahcotta Gallery, Enormous Tiny, Portsmouth, NH
2007 Nahcotta Gallery, Landscapes, Portsmouth, NH
2006 Smithsonian National Portrait Gallery,
National Portrait Competition Semi-finalist, Washington, DC
2006 Maryland Institute College of Art, Under Brittany Skies, Baltimore, MD
2005 Rochefort- en-Terre, Group Show, Rochefort en Terre. France
2004 Nahcotta Gallery, Landscape Group Show, Portsmouth, NH
2004 WPAC/ Corcoran, Anonymous, Washington, DC
2003 13th Annual National Art Competition, Kirksville, MO
2003 Nahcotta Gallery, New Paintings, Portsmouth, NH
2002 Anderson Soule Gallery, Group Show, Concord, NH
2002 Nahcotta Gallery, Group Show, Portsmouth , NH
2002 Concord Art Association, George Nick Selects Lexington, MA
2001 Allen Sheppard Gallery, Catherine Dunn, New Paintings New York, NY
2001 Nahcotta Gallery, Catherine Dunn, New Work Portsmouth, NH
2000 Allen Sheppard Gallery, Catherine Dunn, Paintings Piermont, NY
2000 Nahcotta Gallery, Catherine Dunn, New Work Portsmouth, NH
RESIDENCIES
2005 Artist in Residence, Rochefort -en -Terre, France,
sponsored by
The Maryland Institute College of Art and the French Government
2002 Panelist, George Nick Selects, Concord Art Association, Lexington, MA
2001 Visiting Artist Lecturer, Duke University, Leadership in the Arts,
New York, NY
1995 Residency, Vermont Studio Center, Johnson, VT
EMPLOYMENT
2006-2008 Boyden Gallery, St. Mary’s College of Maryland, St. Mary’s City, MD
Interim Director of Exhibitions and Collections
2005- 2006 Boyden Gallery, St. Mary’s College of Maryland, St. Mary’s City, MD
Assitant Director of Collections and Exhibitions
2005- 2006 Boyden Gallery, St. Mary’s College of Maryland, St. Mary’s City, MD
Registrar
2001-2002 Art Academy of Cincinnati, Cincinnati, OH
Adjunct Faculty: Beginning level and advanced studio classes: Drawing I, Drawing II, Conceptual Drawing, Narrative Drawing, Advanced Studio.
2000-2001 Montserrat College of Art, Beverly, MA
Adjunct Instructor: Painting I, Introduction to Technology
and Life Drawing II.
1999 – 2000 Gluckman Mayner Architects, New York, NY
Archivist, Publicist, Book Project: This office designs museums, galleries and exhibitions for the Whitney Museum, Warhol Museum,
Picasso Museum,
O’Keefe Museum, Paula Cooper Gallery,
Gagosian Chelsea, Mary Boone and others.
1997-98 Indiana University, Bloomington, IN
Associate Instructor: Drawing I and Drawing II.
1994-1996 The Art Institute of Chicago, Chicago, IL
Slide Librarian Assistant
1989 Contemporary Art Center, Cincinnati, OH
Curatorial Intern: internship during the Mapplethorpe controversy.
